Ferrania Ferrania P30 - Film Gallery

While I am only one roll through this offering. What I see I like very much. The blacks are very black and the whites are very white. I’m not seeing a lot of grey tones and actually like that. It has that old film look from another era–think Casablanca, The Maltese Falcon, La Dolce Vita. My first attempt was with DDX for 15min with constant gentle rotation 1+6 dilution and scanned with Epson V850. Excited for the next roll.

I tryed this film in Street Photo in medioeval cities.
Developed in d76 I obtained a good scale of gray expecially in shadows. I alwsys fit a yellow filter on my lenses. The home water photographers use for the developer (I have never understood how) has a role on the results on traditional bw film.
Satisfyed

The term “cinematic” is often nauseatingly used without true intention, but this film undoubtedly fits the adjective. Though it requires greater consideration than more latitudinally gifted B&W film stocks, the results achievable on P30 cannot be matched by competitors. The tones are unbelievably rich, like swimming through a bath of chocolate, and even with its high contrast there is more detail than expected in mixed lighting situations. In fact, despite all the warnings about its peskiness, I have been able to shoot indoors and in bright sun with hard shadows without losing information where it counts. It’s not for everyone and certainly not for every situation, but I’m so glad Ferrania is back in business with P30.

After watching Otto e Mezzo, years ago, I wondered the film stock and if it were ever made into still stock. Well it turned out Ferrania did just this. The 80 ASA film is spectacular, with a huge tonal scale in the right developer.

I got what I was expecting and will try it again. Love the high contrast and this is something you need to think about when shooting and composing. I shot it at box speed ISO 80 with an Olympus OM4 in auto mode with a Tamron 35-70 Adaptall-2 lens.